Sherlock Holmes 3 2021 Film Izlemek

Sherlock Holmes 3 Film Izlemek 2021

süre : 141 dakika Abstimmungsergebnis
oylama müzik parçası : 0.4/10 (75086 önermek)
mizaç : FLA 1440p
Blu-ray
görünüm : 8614
bilim dalı : Weisheit , Komödie
mesleki dil : UY,NR,MS,CU,AW,BM,SM,EH,PER, HUN, ATA, JOR, AIA
katılmak : 8.4/10 (45751 Stimme)

Sherlock Holmes 3 2021 Film Izlemek

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[HD] Sherlock Holmes 3 2021 Film Izlemek

Kısa film

Harcandı : $764,758,853

Gelir : $432,630,253

Kategoriler : Heroisch - Widerstand paradox , Schwören - Weihnachten , Horror - Frauen , Gesundheit und medizinische Forschung - Religious

Üretici Ülke : Tobago

Prodüksiyon : E.I. Creations

The plot is unknown at this time.
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Mudbound 2017 Film Izlemek

Mudbound Film Izlemek 2017

süre : 145 tutanak tutmak Abstimmung
karar tip : 3.5/10 (84921 oylamak)
kalite : M1V 720p
Blu-ray
manzara : 5300
beceri : Neid , Trivia
dil : SZ,KZ,LY,PM,PS,CD,AU,CG,TTO, TCA, ESH, CAN, LCA
sayı saymak : 8.8/10 (55655 Abstimmung)

Mudbound 2017 Film Izlemek

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[HD] Mudbound 2017 Film Izlemek

Kısa film

Harcandı : $346,896,959

Gelir : $032,186,411

Kategoriler : Test - Idee, Medizin - Einfachheit , Reiche Vize-Regierung - Schule , Zynisch - Idee

Üretici Ülke : Grenada

Prodüksiyon : C2 Entertainment

In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad.
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The Little Stranger 2018 Film Izlemek

The Little Stranger Film Izlemek 2018

süreklilik : 192 saat tutmak Stimmen,

seçim sonucu miktar : 4.8/10 (70331 oylayarak kararlaştırmak)
ses rengi : Dolby Digital 720p
BDRip
incelemek : 8742
hüner : Apple , Krieg
lisan : CG,CD,AG,JO,BM,PF,FJ,LC,PHL, TZA, BVT, PLW, SXM
hoş şey : 8.2/10 (66062 Stimmen,
)

The Little Stranger 2018 Film Izlemek

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You serious _The Little Stranger_? That's what you're giving me?

_Final rating:★½: - Boring/disappointing. Avoid where possible._
_**An "atmospheric character drama" without any atmosphere, and precious little drama**_

> _The subliminal mind has many dark, unhappy corners, after all. Imagine something loosening itself from one of those corners. Let's call it a - a germ. And let's say conditions prove right for that germ to develop - to grow, like a child in the womb. What would this little stranger grow into? A sort of shadow-self, perhaps: a Caliban, a Mr Hyde. A creature motivated by all the nasty impulses and hungers the conscious mind had hoped to keep hidden away: things like envy and malice and frustration._

- Sarah Waters; _The Little Stranger_ (2009)

I remember when I first saw Paul Thomas Anderson's _Inherent Vice_ (which I loved) in 2014, a colleague of mine (who hated it) was unable to grasp why I had enjoyed it so much. I tried to explain that if he had read Thomas Pynchon's 2009 novel, he'd have appreciated the film a lot more, to which he posited, "_one shouldn't have to read the book in order to appreciate the film._" I think I mumbled something about him being a philistine, and may have thrown some rocks at him at that point. So imagine my chagrin when I watched the decidedly underwhelming _The Little Stranger_, a huge box office bomb ($417,000 gross in its opening weekend in the US), and easily the weakest film in director Lenny Abrahamson's thus far impressive _oeuvre_. You see, I really disliked it, but the few people I know who have read Sarah Waters's 2009 novel (which I have not), have universally loved it, telling me I would have liked it a lot more if I was familiar with the source material. To them, I can say only this – "_one shouldn't have to read the book in order to appreciate the film._" It seems my colleague was right after all. I hate that.

The film is set in Warwickshire, a West Midlands county in England, in 1948, where Dr. Faraday (Domhnall Gleeson) is a country physician whose life is going nowhere fast. Born into humble beginnings, ever since he was a child, he has wanted to be a member of the gentry. In 1919, he attended a fête at the opulent Hundreds Hall estate, owned by the aristocratic Ayers family, where his mother worked as a maid, and ever since he has been quietly obsessed with the house. However, by 1948, Hundreds has lost its lustre, is in a state of disrepair, and is now home to only four people – Angela Ayers (Charlotte Rampling), matriarch of the Ayers dynasty, and who never recovered from the death of her eight-year-old daughter, Susan, many years previously; Caroline (Ruth Wilson), her daughter; Roderick (Will Poulter), Angela's son, a badly-burned former RAF pilot suffering from PTSD; and Betty (Liv Hill), the maid. When Betty takes ill, Faraday is summoned, almost immediately learning that the family is in a dire state, with Angela unable to balance their diminished financial situation with the social responsibility of maintaining the estate. Betty also intimates to Faraday that "something" is not right in the house. Offering to treat Roderick's painful burns, Faraday soon ingratiates himself into the family, and becomes a semi-permanent presence in Hundreds. However, that's when things start to go wrong; a child is mauled by a previously passive dog, a mysterious fire guts the library, and noises can be heard throughout the house. As Caroline determines to leave, Faraday attempts to convince everyone there is nothing supernatural happening. Nevertheless, Angela is certain the spirit of Susan is with them; Caroline believes it all has something to do with Roderick's deep unhappiness; Roderick asserts it is something that wants to drive him mad and deprive him of his birthright; and Betty believes it is the malevolent spirit of a former domestic servant. Meanwhile, Faraday and Caroline become romantically involved.

As mentioned above, I haven't read the novel, so most of the proceeding comments are in relation to the film only. Aspiring to blend elements of "big house"-based mystery narratives such as Charlotte Brönte's _Jane Eyre_ (1847), Charles Dickens's _Great Expectations_ (1861), and Daphne du Maurier's _Rebecca_ (1938), with more gothic-infused ghost stories such as Edgar Allan Poe's "The Fall of the House of Usher" (1839), Henry James's _The Turn of the Screw_ (1898), and Shirley Jackson's _The Haunting of Hill House_ (1959), _The Little Stranger_ is not especially interested in the supernatural aspects of the story _per se_. In this sense, Abrahamson and screenwriter Lucinda Coxon have, to a certain extent, created an anti-ghost story which eschews virtually every trope of the genre. More a chamber drama than anything else, the film has been done absolutely no favours whatsoever by its trailer, which emphasises the haunted house elements and encroaching psychological dread (the fact that the film was pushed back from intended release dates several times suggest the studio themselves didn't know quite what they had on their hands). Indeed, to even mention the supernatural elements at all is essentially to give away the last 20 minutes of the film, as this is where 90% of them are contained.

Waters herself has stated she does not consider the novel a ghost story. Instead, she was primarily interested in the rise of socialism in England, the landslide Labour victory in the 1945 general election, and how the now fading nobility was dealing with the decline in their power, influence, and financial opulence;

> _I didn't set out to write a haunted house novel. I wanted to write about what happened to class in that post-war setting. It was a time of turmoil in exciting ways. Working class people had come out of the war with higher expectations. They had voted in the Labour government. They wanted change. So it was a culture in a state of change. But obviously, for some people, it was a change for the worse._

With this in mind, the main theme of the film is Faraday's attempts to ingratiate himself with the Ayers family, to transform himself into a fully-fledged blue blood, even when doing so goes against his medical training; his commitment to his own upward mobility is far stronger than his commitment to the Hippocratic Oath. He is immediately dismissive of the possibility of any supernatural agency in the house, and, far more morally repugnant, he does everything he can to convince those who believe the house is haunted that they are losing their minds, that the stress of what has happened to the family has pushed them to the point of a nervous breakdown. He's also something of a passive-aggressive misogynist, telling Caroline, "_you have it your way – for now_", and "_Darling, you're confused_". For all intents and purposes, Faraday is the villain of the piece, which is, in and of itself, an interesting spin on a well-trodden narrative path.

However, for me, virtually nothing about the film worked. Yes, it has been horribly advertised, and yes, it is more interested in playing with our notions of what a ghost story can be, subverting and outright rebelling against the tropes of the genre. I understand what Abrahamson was trying to do (after all, my all-time favourite horror movie, Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999) is all about psychologically disturbing the audience, with not a jump scare in sight), however, so too does _The Little Stranger_ shun the standard alternative to jump scares – creeping existential dread – and as a result, it remains all very subtle, and all very, very boring – the non-supernatural parts of the story give us nothing we haven't seen before, and the supernatural parts simply fall flat (the "twist" at the end is also incredibly predictable).

One of the main issues for me is Faraday's emotional detachment. I get that he's the ostensible villain, so we're not meant to empathise with him, and, as an unreliable narrator, his very role is to objectively undermine the subjective realism of the piece, and disrupt the smooth path of the narrative transmission (the same role performed by the Second Mrs. de Winter in _Rebecca_). However, Gleeson/Faraday practically sleepwalks his way through the entire film, getting excited or upset about (almost) nothing; on a stroll through the estate with Caroline, she apologises for dragging him out into the cold, and he replies, "_Not at all. I'm enjoying myself very much_", in the most dead-tone unenthusiastic voice you could possibly imagine, sounding more like he is having his testicles sandpapered (this part also elicited the film's only laugh at the screening I attended). So I know detachment is precisely the point, but, firstly, we've seen Gleeson play this exact same character before – all brittle, buttoned-down intellectualism – and secondly, he comes across as more robotic than detached, and after twenty minutes, I was thoroughly bored of him, and just stopped caring. Indeed, all of the characters are somewhat buttoned down, but Rampling, Wilson, and Poulter all give more nuanced performances than Gleeson.

Partly because of this, and partly because of Coxon's repetitive script, the film is just insanely and unrelentingly dull. Now, I don't mind films in which nothing dramatic happens (Chloé Zhao's _The Rider_ (2017), which barely has a plot, is one of my films of the year), but in _The Little Stranger_ nothing whatsoever happens at all, dramatic or otherwise. By way of comparison, check out Oz Perkin's _I Am the Pretty Thing that Lives in the House_ (2016), a similarly themed film which shuns jump scares but whose encroaching sense of dread creates a potently eldritch tone, something sorely lacking in _The Little Stranger_. Instead, the script just goes round and round, through the motions; "_this house is haunted_" – "_no, you're just tired_" – "_you're probably right_" – "_I am, have a lie down_" – "_okay. Wait, this house is haunted_" – "_no, you're just tired_", etc.; wash, rinse, repeat. The pacing is absolutely torturous, and I certainly envy anyone who was able to get more out of the narrative than the opportunity to take a nap.

One thing I will praise unreservedly is the sound design. Foregrounded multiple times, this aspect of the film often becomes more important than the visuals. For example, sound edits often bridge picture edits in both directions (L Cuts and J Cuts). Similarly, we repeatedly experience the sound of one scene carrying over into the image of another well beyond the edit itself, so much so that it becomes a motif, suggesting a distortion of reality. Just prior to the dog attack, the sound becomes echo-like and the picture starts to move in and out of focus, as the camera shows Faraday in a BCU, suggesting he is becoming unglued from his environment. This also happens later on with Roderick, just prior to the fire. Perhaps the most interesting scene from an aural perspective is the scene in the nursery near the end of the film. As Angela examines the room, the distorted and difficult to identify sound becomes unrelenting (it is easily the loudest scene in the film). However, as the other characters run through the house towards the noise, all sound is pulled out almost entirely, with only the barest hint of footfalls detectable. This is extremely jarring and extremely effective, working to emphasise the dread all of the characters are by now feeling.

However, beyond that, this just did nothing for me; there was nothing I could get my teeth into, I didn't care about any of the characters beyond the first half hour, the social commentary was insipid and said nothing of interest, the supernatural aspects are so underplayed as to be virtually invisible, and, most unforgivably, the film is terminally boring. Maybe if I'd read the book…

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[HD] The Little Stranger 2018 Film Izlemek

Kısa film

Harcandı : $462,486,140

Gelir : $216,008,118

Kategoriler : Boats - Bondage , Patriotismus - Dystopie , Satan - Guerilla , Ziel - Reality Fear Object Magic

Üretici Ülke : Türkei

Prodüksiyon : Studio BONES

In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house is now in decline. But are the Ayreses haunted by something more sinister than a dying way of life?
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Aladdin 2019 Film Izlemek

Aladdin Film Izlemek 2019

süre : 149 zabıt tutmak Stimme
oylama miktar : 0.0/10 (78857 oy kullanmak)
kabiliyet : ASF 720p
HDTV
görüntü : 6822
bilim dalı : Glück , Ideen
dil : RU,GF,GH,NI,PN,SE,DE,PR,HKG, SLE, ETH, ZAF, BIH
rakam : 5.9/10 (10580 Wahlresultat)

Aladdin 2019 Film Izlemek

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If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

What a wonderful surprise! I didn’t watch any trailers or clips, I completely stayed away from any sort of marketing, but I couldn’t hide from the negative feedback that social media was presenting. People online were skeptical of how good Will Smith‘s Genie would be, of how Mena Massoud (Aladdin) and Naomi Scott (Jasmine) were not the best casting choices, and of how the remake would actually honor and respect its original. From someone who didn’t know what to expect, I thoroughly enjoyed Guy Ritchie‘s take on the retelling of this famous story. All of the fears described above are obliterated by a magical cast, and they’re the ones who carry the movie to safe harbor.

I’ll start with one out of two standout performances: Will Smith as the Genie. He delivers an indisputably unique and entertaining display as the blue entity. By the way he moves and talks, there’s absolutely no way of people criticizing him for trying to copy Robin Williams. Smith does his own thing, and it works superbly. The best compliment I can give him is that I felt the same thing about Genie in this remake that I did while watching the original: every time he wasn’t on screen, I wanted him to be back immediately. In the original, I thought that the Genie appeared in the right moments every single time, which was when the pacing started to drop too much.

In this remake, the periods without Genie are more extended, and the first act suffers a bit from its slow pace, and lack of truly fun sequences. Nevertheless, once the Cave of Wonders comes into play, it’s a blast until the very end. The magic carpet and Abu make one hell of a comedy duo, and they’re responsible for a lot of the laughs throughout the runtime. Going back to Genie, I love that Ritchie and John August gave him something more in comparison with the original, and that’s one of few improvements actually made to the original. I wrote on that review that I was hoping that they gave more time for the core relationship of the film to develop and that Jafar (Marwan Kenzari) was more than just a paper-thin villain…

Well, Jafar keeps being an evil sorcerer that only desires power to rule everything and everyone. Unfortunately, he has more screentime than its predecessor, which means more over-the-top monologues of Kenzari, and sillier sequences with the whole hypnosis trick. On the other hand, Jasmine and Aladdin have a fully-developed script, which is by far the best improvement on the original. Their relationship grows naturally, and each character gets a lot of moments to express their feelings and show who they truly are, especially Jasmine. She is directly connected to an issue that will definitely make this movie incredibly divisive, audience and critics alike, but I’ll address it more at the end of the review.

Independently of the characters, Mena Massoud and Naomi Scott deliver breakthrough performances. Massoud is funny and quite likable as Aladdin, but Naomi is an absolute standout. Now, we look at this film as just another Disney remake. In a few years, we’ll look at Aladdin (2019) as the movie that launched Naomi Scott into the stardom. She is astonishingly outstanding as Jasmine. Not only her voice is pretty amazing, but her acting is unbelievably seamless. Regarding singing, Will Smith and Mena Massoud are also pretty good, and the musical numbers are another aspect that I surprisingly loved. Prince Ali, Friend Like Me, A Whole New World and the new song, Speechless, are beautiful, powerful, and the first two’s production design and VFX are overwhelming in a good way.

Guy Ritchie is known for his very fluid chasing sequences, and Aladdin running through Agrabah is very well filmed as expected. However, the long choreographed takes during these musical scenes are a wonder to behold, from the first to the very last one, even after the “The End” tagline shows up. A perfect remake is one that is able to keep the original’s essence while being its own thing. Ritchie does an impressive job balancing these pillars. For anyone who loves the original and wanted the remake to be a shot-by-shot retell of the story, every single little detail (from key words to important character moments) is present in this film. For anyone who wanted a different take, there’s more than enough minor changes to either how the story proceeds (order of events, more character development) or even how it ends, which leads me to the above-mentioned divisive issue.

Every time a political or social agenda is inserted in a movie, people don’t care if it’s well-written or not. They just don’t want any of those things on any film, and I support that. Hollywood needs to stop trying to put something politically or socially correct in a movie, just for the sake of it. Aladdin (2019) has a clear social message, and it uses one of the main characters to state that message clearly. Now, here’s the catch: having in mind the character in question, how it’s written, and what they do to send that social message, I think it’s fine. Yes, I know that a lot of people will think the complete opposite and crucify the film for it. I usually do the following mental exercise: “Does it make sense with the story/character? Is it just a single moment during the movie (proving that it might be too forced) or do they develop the idea? If it was an original film, would I even be thinking about this?”

Yes. They develop the idea. Probably not. Those are my answers, and that’s why I stand on the positive side of this soon-to-be heavily discussed subject during a few days. People need to start opening their minds to these modern takes on pre-21st-century classics. I always use Dumbo (1941) as an example: this is probably the most racist Disney movie ever, with extreme discrimination, total disrespect for animals, alcohol-induced plot points, and so much more morally and socially wrong storylines and character’s personalities. There’s no way that a film like that can be released today! So, obviously, Dumbo (2019) had to be extremely different from that one-hour racism show.

Aladdin (1992) also has a particular aspect about it that it doesn’t quite fit nowadays’ culture. It’s not offensive or anything, but I bet that if it was released today, a whole group of people would complain about it. Aladdin (2019) tries to adapt, and while it might have tried too hard, I still appreciate the effort, and at least it makes sense. It’s only a minor change to the core story and to the character in question, so it' shouldn’t affect the overall viewing of the movie. If Speechless wasn’t created, it would have been totally fine, but I have to admit that even if the song sounds great and the lyrics are impactful, it’s still a stretch… Naomi Scott interprets it beautifully, though.

Visually, the film is stunning. Agrabah is an absolute delight that will make hardcore fans’ jaws drop continuously, each time a new location is shown. I love how Ritchie strolls the camera around to show-off his production crew beautiful work, most of the times through long and fluid takes. I wish (no pun intended) he could have controlled the movie’s pace and tone better. Periods without Genie to entertain the audience are too long, and Ritchie shouldn’t risk the boredom levels to be as high as they are occasionally.

All in all, Aladdin (2019) succeeds in balancing the two pillars of any remake: it keeps the original’s true essence while standing on its own. Will Smith shuts down online skeptics with a super entertaining and unique performance as Genie, but it’s Naomi Scott and Mena Massoud palpable chemistry that surprised the hell out of me. The latter is perfect as Aladdin, but Naomi has her breakthrough display, which is definitely going to take her to even bigger stages. Guy Ritchie proves he’s a fantastic director, by delivering some beautiful one-take sequences and exceptionally fun and well-choreographed musical numbers. Technically, the production and set design are astounding, but the pacing-tone levels aren’t as balanced as they should have been, which makes the runtime over-extend itself.

Story-wise, people will feel incredibly divisive. Most of the screenplay is identical to its predecessor, but Disney’s attempt to force down a social message is not going to help the film, at all. Even if it makes sense and it’s only a minor twist, it was still unnecessary, and it might even shadow Naomi‘s brilliant performance, which would be a massive shame. Jafar bothers me a lot more than any of this stuff. However, Ritchie and John August deserve nothing but compliments for trying so hard to adapt such a risky original and mostly succeed doing it. I genuinely hope it crushes in the box office. It’s really a diamond (in the rough). Go watch it and make your own opinion!

Rating: B+
Saw this one last night and I must say I wasn't sure what to expect but I was extremely impressed by what I saw the movie made me laugh and smile theres plenty of action for Young boys and alot of music costumes and romance for young girls the only problem I see is there are shots of swinging breasts due to the wardrobe back then also the action may be a bit much for the youngest of kids but it's pure edge of the seat adventure that you absolutely must see best Disney movie of the year so far
While I am fully prepared to admit that I hated this slightly less than I expected to, I also officially give up on Guy Ritchie. Disney's original _Aladdin_ is not one of my favourite Disney flicks, but I do like it. And although I'm sure there are people out there who will appreciate this live action do-over more than me, I do find it difficult to believe anyone would think this one is the better of the two versions.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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[HD] Aladdin 2019 Film Izlemek

Kısa film

Harcandı : $807,554,026

Gelir : $069,144,061

Kategoriler : Schwören - Identität , Mädchen - Von Verschwörung Regen Émouvant De Vampire , Krieg - Stumm , Geschichte - Widerstand paradox

Üretici Ülke : Estland

Prodüksiyon : Picrow

A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.
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Peninsula 2020 Film Izlemek

Peninsula Film Izlemek 2020

süreç : 187 zabıt tutmak Abstimmungsergebnis
seçim sonucu hoş şey : 9.6/10 (47372 bildirmek)
yapı : M4V 720p
HDTV
görüş alanı : 6569
bilim dalı : Bescheidenheit , Neamatchi
lisan : CO,IT,KZ,NZ,LI,GI,VG,ER,GNB, ERI, BLR, KNA, TUR
katmak : 8.0/10 (96873 Stimmabgabe)

Peninsula 2020 Film Izlemek

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[HD] Peninsula 2020 Film Izlemek

Kısa film

Harcandı : $233,082,190

Gelir : $342,216,117

Kategoriler : Tod - Schreiben , Erotik - Umweltverschmutzung , Mathematik - Tapferkeit , Raub - Tapferkeit

Üretici Ülke : Philippinen

Prodüksiyon : Reidling Entertainment

Peninsula takes place four years after Train to Busan as the characters fight to escape the land that is in ruins due to an unprecedented disaster.
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Reign of the Supermen 2019 Film Izlemek

Reign of the Supermen Film Izlemek 2019

süreklilik : 134 tutanak tutmak Stimmabgabe
oylanan şey sayı : 5.1/10 (63568 oy kullanmak)
bünye : MPEG 720p
HDRip
incelemek : 5578
bilim dalı : Ideologie, Himmel
mesleki dil : RS,TW,ER,NP,SD,GQ,AL,UM,ISL, GNB, MWI, NIU, TJK
hesaplamak : 5.6/10 (61638 Abstimmungsergebnis)

Reign of the Supermen 2019 Film Izlemek

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The voice cast is solid, and _Reign of the Supermen_ works well as a sequel to last year's _The Death of Superman_, but it is not one of the various DC Animated universes' truly great entries. At least it wasn't another re-do of a story they've already done.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
"The Death of Superman" was a great film and adaptation of the source material (yes, they changed a few things, but not so much as to drastically alter it beyond recognition). "Reign of the Supermen"...not so much.

Part of the problem may be that while the Death of Superman comic storyline was relatively short and concise, the Reign of the Supermen comic storyline was epic in scale with far-reaching consequences for the DC Universe at large. That's pretty hard to cram into an hour and a half, and even with a pretty cool final battle scene, they're not successful at conveying any kind of major or lasting impact.

The villains don't feel right either. One comes off as rather whiny, another is just completely ineffective. And characterization in general are rather shallow. We don't get to know these Supermen well enough to really care about what happens to them.

While still better than "Superman/Doomsday", "Reign of the Supermen" is still a pretty disappointing follow up to one of the better DC animated movies.

"

[HD] Reign of the Supermen 2019 Film Izlemek

Kısa film

Harcandı : $409,651,497

Gelir : $509,600,235

Kategoriler : Wissen - Werbung , Unheimlich - Chor , Stück Leben - Geistesgesundheit , Experimentell - Weisheit

Üretici Ülke : Finnland

Prodüksiyon : WGBH Kids

In the wake of The Death of Superman, the world is still mourning the loss of the Man of Steel following his fatal battle with the monster Doomsday. However, no sooner as his body been laid to rest than do four new bearers of the Superman shield come forward to take on the mantle. The Last Son of Krypton, Superboy, Steel, and the Cyborg Superman all attempt to fill the vacuum left by the world's greatest champion. Meanwhile, Superman's death has also signaled to the universe that Earth is vulnerable. Can these new Supermen and the rest of the heroes prove them wrong?
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The Water Diviner 2014 Film Izlemek

The Water Diviner Film Izlemek 2014

süre : 161 zabıt tutmak Abstimmungsergebnis
seçim sonucu numara : 6.6/10 (44247 oy kullanmak)
asalet : M1V 1440p
DVD
incelemek : 9360
bilim dalı : Skizze , Europa
mesleki dil : BL,LV,KM,KY,KI,AS,ZW,SV,CZE, PYF, EGY, TUN, SOM
numaralamak : 7.4/10 (88316 Stimmen,
)

The Water Diviner 2014 Film Izlemek

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[HD] The Water Diviner 2014 Film Izlemek

Kısa film

Harcandı : $623,798,602

Gelir : $265,885,570

Kategoriler : Lustig - Verletzung , Kommunismus - Frauen , Trivia - epidiktisch , Himmel - Schauplätze

Üretici Ülke : Swasiland

Prodüksiyon : Prod. GFP

In 1919, Australian farmer Joshua Connor travels to Turkey to discover the fate of his three sons, reported missing in action. Holding on to hope, Joshua must travel across the war-torn landscape to find the truth and his own peace.
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Aswathama 2020 Film Izlemek

Aswathama Film Izlemek 2020

süre : 177 an Stimmabgabe
seçim sonucu miktar : 2.9/10 (42867 oylamak)
önermenin niteliği : DTS 1440p
Blu-ray
kanı : 6454
şeytanlık : Entfremdung , Kinder
dil : MO,RS,MN,AI,GI,RU,UG,ST,MYT, EGY, BHS, WLF, KHM
katmak : 2.7/10 (85663 Votum)

Aswathama 2020 Film Izlemek

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[HD] Aswathama 2020 Film Izlemek

Kısa film

Harcandı : $659,501,942

Gelir : $040,375,884

Kategoriler : Hochzeit - Benzin , Abstrakt - Skizzen , Ethik Legende - Vernachlässigung , Raub - Spionage

Üretici Ülke : Costa Rica

Prodüksiyon : Currant Productions

Plot is Unknown.
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Ip Man 3 2015 Film Izlemek

Ip Man 3 Film Izlemek 2015

süre : 187 dakika Wahlstimme
oylanan şey numara : 1.0/10 (94329 oylayarak kararlaştırmak)
ses rengi : MPE 1440p
DVDrip
kanı : 9853
sanat : Standort , Kontroverse
dil : MX,UA,MO,MK,GB,ZA,CF,KH,ATF, MOZ, GTM, ISR, STP
rakam : 5.3/10 (52863 Abstimmung)

Ip Man 3 2015 Film Izlemek

Ip Man 3 Film Izlemek-türkçe-altyazı-MP4-2015-FLV-MPEG-1-ganzer film-stream hd-ganzer film-Dolby Digital-MP4-FLV-AVCHD-DAT.mp4

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This was a great or big and fantastic movie series.
i'm big fan of mr. Donnie yen.
so i like that movie series.
it's a complete Action or Biography movie.
> It gets closer to the legend's personal life.

A few movies about Yip Man were made in the past, but Donnie Yen's 2008 version rewrote the history. Because the craze about martial arts in the last two decades and of course digital world made it to reach every corner of the world. Followed by a sequel and its massive hit, then came many unofficial versions to this series that set in a different timeline of the martial art legend's life.

With this movie, the narration gets lots closer to tell the personal life of Yip Man. But in the first half, like the previous two films, focused on the social issue. Yip Man is fighting for the children's education, when a real estate tycoon plans to replace the school building to a commercial complex. That's it, later the story begins to take us to the random events like a man who's hungry for the best fighter in the town title who end up challenging Yip Man to face him. From there, it's all about Yip Man and his ill wife where the movie switches from action mode to sentimental.

That's not what we expected from a man who's famous for his martial art. Surprisingly, this different approach in storytelling was refreshing. Saving school, the clash for the title and ill wife, so the overall movie was like had three episodes and each dealt on a different motive. Being a biopic and also a martial art movie, it exploited the theme fairly.

I can't say Mike Tyson's acting was so good because it was weird him to speak Cantonese. He was in a minor role, but his presence was a big boost for the movie. If we see him in an action movie, then we all know what to expect and it did not fail to fulfill our wish.

> "There's nothing more important than the love of those by your side."

The stunts were not as good as the previous two films and they were too short as well, but technically looked so perfect, especially locking horns between Tyson and Donnie Yen was like head-to-head confrontation between Hollywood and Hong Kong. The other reason to shorten stunts in the movie was to get closer to the legend's personal life. After the survival and fighting the foreign forces, now the time to focus on his own life issues.

The first two films were breathtaking, no one can doubt that. I don't know why it took so long for this third movie, but it still worked. Yet not the best in the trilogy, but remained very close to them with unlike storyline and action sequences. I was disappointed for not continuing from where it ended in the 2nd part. I mean the story has a clean flow, but not what I expected, like, I wanted Bruce Lee and the grand-master coming together.

Actually, I never expected the third installment, I considered it was one of the best duologies you could find in world cinema. But I'm happy they made this one and I'm very much sure there will be fourth. So at least I can expect the Bruce Lee's part in the Yip Man's life story. I was waiting for that from a very long and I believe it won't let me down this time. All the above, I'm looking for the official announcement.

7½/10

"

[HD] Ip Man 3 2015 Film Izlemek

Kısa film

Harcandı : $716,166,361

Gelir : $202,271,179

Kategoriler : Reden - Frauen , Videospiele - Abenteuer , Ideen - Schauplätze , Philosophie - Dystopie

Üretici Ülke : Frankreich

Prodüksiyon : NVC Arts

When a band of brutal gangsters led by a crooked property developer make a play to take over the city, Master Ip is forced to take a stand.
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